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Walter Gropius and Rosenthal

Bauhaus architecture meets porcelain

Rosenthal and Walter Gropius - a collaboration that produced iconic works that still characterize the essence of modern design today. The artistic cooperation between Rosenthal and Bauhaus founder Gropius not only wrote design history, but also stands for a unique symbiosis of artistic aspiration and industrial innovation, which was groundbreaking for Rosenthal's history and its porcelain production.

With Gropius' visionary Bauhaus design, the Rosenthal brand gained new significance and created works that combine functionality and aesthetics at the highest level. The functional and at the same time aesthetic Rothbühl factory and the TAC tableware collection are just two examples of a partnership that combines architecture and the world of porcelain and revolutionized both areas.

Profile of Walter Gropius

Year of birth: 1883

Year of death: 1969

Profession: Architect, designer, Bauhaus founder

Design philosophy: Clear design language, functional minimalism, fusion of art, craftsmanship and technology

Influence on Rosenthal: Partnership with Philip Rosenthal from 1963; visionary projects in architecture and product design

Important works at Rosenthal:

  • Rothbühl porcelain factory (1967): Functional and aesthetically sophisticated factory complex in the landscape as a geometric sculpture
  • TAC collection (1969): Bauhaus-inspired tea service that impresses with its minimalist elegance and clear forms
  • Amberg glassworks (1970): glass cathedral with light-flooded rooms and a harmonious reference to nature

Legacy: Gropius' works continue to shape Rosenthal's Bauhaus legacy to this day and are part of a unique fusion of function and aesthetics that has had a decisive influence on modern porcelain design

Potrait des Designers Walter Gropius

Star architect Walter Gropius: Bauhaus founder, visionary and pioneer of modernism

Walter Gropius (1883-1969) was one of the most influential architects and designers of the 20th century. As the founder of Bauhaus in 1919, he laid the foundations for a movement that combined art, craftsmanship and technology to create modern and functional architecture. His vision of holistic design, which was characterized by the integration of art into everyday life, resonated worldwide and influenced generations of architects and designers. Under Gropius' leadership, the Bauhaus style was initially established in Weimar, later moving to Dessau and Berlin before being closed in 1933 under pressure from the National Socialist regime.

Gropius' design philosophy: clear design language and functional minimalism

Walter Gropius' design concept was based on simplicity and functionality, aesthetic purity and geometric clarity, which is reflected throughout his work. As an architect, he combined technical precision with aesthetic minimalism and promoted the use of materials such as steel and glass to create open and light-flooded spaces.

He applied this design philosophy not only to his buildings, but also to his designs, which were characterized by reduced, clear forms and a harmonious balance. His best-known architectural works include the Bauhaus building in Dessau, which is considered an icon of modern architecture. During his career as an architect, Gropius later headed The Architects Collaborative (TAC) in the USA, which also had an international influence.

Gropius' legacy and significance for modernism

Walter Gropius' works and design concepts still have an impact today and have had a lasting influence on the history of design and architecture of the 20th century in particular. His partnership with Rosenthal is one of the most important collaborations of his late work and was an inspiring exchange for both sides. Philip Rosenthal, also a visionary in the field of design, recognized the potential of Gropius' design standards and entered into a creative partnership that went beyond mere business relations.

The collaboration between Walter Gropius and Rosenthal

The collaboration between Walter Gropius and Rosenthal began in 1963 and led to pioneering projects in industrial architecture and product design. The partnership originated in a request from Philip Rosenthal, who wanted the renowned architect to build a new production facility for Rosenthal at the Rothbühl site. Gropius accepted this challenge and developed a factory facility that set new standards both architecturally and functionally.

Rosenthal at Rothbühl: An architectural masterpiece - 1967

Walter Gropius, who was considered the world's most important architect at the time, designed the Rosenthal porcelain factory at Rothbühl and the glassworks in Amberg for Rosenthal from 1965 to 1969. The Rosenthal factory at Rothbühl was inaugurated in 1967 and is an outstanding example of functional and aesthetically sophisticated industrial buildings.

Gropius designed the plant as a geometric sculpture in the landscape, creating a striking image with clear lines and well thought-out proportions. The porcelain factory lies flat in the landscape like a sculpture thanks to its strictly composed order. The individual components of the site appear as geometric elements that do not stand next to each other, but in relation to each other. The winged roof - which is an almost magical reference to the entrance to the Rothbühl factory - and the large window fronts give the building an extraordinary lightness and transparency

In the center of the factory complex, Gropius created the so-called glass green house, a green island that served as a recreational area for the employees and was intended for social interaction. The detailed design of the Rosenthal factory demonstrates Gropius' ability to combine industrial requirements with aesthetic demands by arranging concrete and glass in such a way as to create a harmonious integration into the surroundings.

Rosenthal am Rothbühl designet von Walter Gropius

Gropius' glass cathedral for Rosenthal in Amberg - 1970

Another important construction project for Rosenthal is the glassworks in Amberg, which is often referred to as the glass cathedral due to its architecture. The plant, which opened in 1970, revisits Gropius' principles of Bauhaus architecture and offers an excellent working environment with an intelligent ventilation system and transparent gable walls.

The glass factory in Amberg was Gropius' last building project and, like the factory at Rothbühl, is now a listed building. This work demonstrates Gropius' approach of integrating architecture as a harmonious element in the natural landscape. Gropius used glass as a means of enabling a constant visual exchange with the surroundings. The wraparound band of windows and the fully glazed gable fronts convey a sleek, light impression that floods the space with natural light and creates a seamless connection between the inside and outside world. Walter Gropius thus succeeded in combining functionality and aesthetics in an innovative building that makes masterful use of the transparency and lightness of glass.

The clean lines and minimalist design give the building a timeless character that respects and emphasizes both the industrial and natural environment. This architectural legacy embodies Gropius' vision of modern architecture and remains an inspiring example of sustainable, environmentally friendly architecture to this day.

Rosenthal Glaskathedrale von Walter Gropius

Gropius' and Rosenthal's product design: the TAC 01 tea service - 1969

Parallel to the architectural collaboration, Walter Gropius developed the iconic TAC 01 tea service for Rosenthal, named after his architectural firm The Architects Collaborative (TAC). The TAC design, which came onto the market in 1969, is a prime example of the design aspirations of the Bauhaus movement: clear forms, functionality and a reduction to the essentials.

In collaboration with Rosenthal, Gropius created TAC, a design that takes up the idea of the half sphere and introduces innovative details such as the unique bayonet catch for the jug lid. Today, the popular Rosenthal TAC collection is available in various designs, from the original matt glazed white and minimalist patterns and in dark porcelain to new, exciting design lines.

The TAC 01 tableware designed by Gropius is not only considered a classic of the Bauhaus style, but also one of the most successful products in the Rosenthal studio-line and is still very popular today.

Rosenthal TAC-Kanne von Walter Gropius

Revival of the Bauhaus style and anniversary exhibition - 2019

In 2019, on the occasion of the 100th anniversary of Bauhaus, Rosenthal honored Gropius' contribution to design history with an exhibition and new Rosenthal products. Under the exhibition motto radically contemporary, Rosenthal showcased Gropius' architectural and design legacy in Selb and launched a new limited edition of the TAC service decors. This collection was reinterpreted based on Gropius' original decors and the architecture of the Rothbühl factory in order to keep the Bauhaus style alive in a contemporary form.

Walter Gropius und Philip Rosenthal im Rosenthal-Werk

Bauhaus architecture captured in timeless porcelain: Walter Gropius' legacy at Rosenthal

Walter Gropius' collaboration with Rosenthal marks a unique moment in Rosenthal's history and in the history of architecture and design as a whole, in which function and aesthetics were combined in a visionary way. Gropius' factories and the TAC 01 tea service are lasting testimonies to a creative partnership that carried the spirit of the Bauhaus into industrial modernism and revolutionized porcelain production.

Rosenthal continues Walter Gropius' legacy to this day by reinterpreting the principles of Bauhaus architecture - functionality, clarity and formal elegance - in its modern Rosenthal collections.

At the same time, Rosenthal remains true to its claim of constantly developing modern design and produces numerous other iconic collections that capture the spirit of the times and modern design.

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